Hot Cake House: The Vigil from Zanny Allport on Vimeo.
Thursday, June 3, 2010
Tuesday, June 1, 2010
Broder
Friday, May 28, 2010
Goodbye, OHS
E-interview with Slappy Cakes!
1) Can you tell me a little bit more about your backyard garden? How much of your food comes from there? Is the garden model advantageous financially?
Our garden is an attempt to reduce the "food miles" associated with our restaurant. We will eventually catch rainwater and make our own soil also. How much we can harvest depends on the season, but we always have herbs going. The garden will eventually be profitable, but we have a lot to learn by trial until that happens. If you would like to see the garden just ask the next time you are in!
2) Slappy Cakes is still less than a year old, what was the hardest part of starting a new restaurant?
The hardest part of starting a project like this is grasping the actual size of it, it always takes much more work, money, and time than originally anticipated (but especially money).
3) How much of your food do you try to source locally?
We try to get all of our produce locally, but this also depends on the season. Our meats are always local.
4) What type of person would you say comprises your clientele base? Did you have a “target audience” in mind, so to speak, when you opened the restaurant?
Slappy Cakes was intended to be for anybody wanting a fun and unique dining experience, and we see every type of person eating here. Our target audience is anybody who loves fun breakfast!
My worst fear, confronted
I was so relieved today to see a post on Amateur Gourmet that addressed an issue that I've come face-to-face with on the daily during my project: taking pictures of your food. I love what he has to say. For those who won't read the entire blog, check out some excerpts I grabbed:
"It forces you to pause and consider what's in front of you. Animals devour food indiscriminately; as humans, we have the capacity to appreciate our food in a way that they don't. Not just aesthetically (though that's important) but also spiritually; if we're eating a rabbit, perhaps it's worthwhile to pause and consider the fact that a rabbit died so that we can eat dinner.
Taking pictures of your food also allows you to create an archive of experience that transports you, instantly, back to a specific place in time.
Finally, taking pictures of your food opens up a dialogue between you and the people serving you. Some restauranteurs will ask you bluntly "are you a food blogger?"; other times they'll ask "Do you mind if I ask what you're taking pictures for?" Either way, you end up engaging the people who make and serve food for a living on a subject for which you share an equal passion. Many a great conversation has started for me that way and it's all because I was taking pictures of what I was eating."
And now, a quote from La Rochefoucauld: "to eat is a necessity, but to eat intelligently is an art."
"It forces you to pause and consider what's in front of you. Animals devour food indiscriminately; as humans, we have the capacity to appreciate our food in a way that they don't. Not just aesthetically (though that's important) but also spiritually; if we're eating a rabbit, perhaps it's worthwhile to pause and consider the fact that a rabbit died so that we can eat dinner.
Taking pictures of your food also allows you to create an archive of experience that transports you, instantly, back to a specific place in time.
Finally, taking pictures of your food opens up a dialogue between you and the people serving you. Some restauranteurs will ask you bluntly "are you a food blogger?"; other times they'll ask "Do you mind if I ask what you're taking pictures for?" Either way, you end up engaging the people who make and serve food for a living on a subject for which you share an equal passion. Many a great conversation has started for me that way and it's all because I was taking pictures of what I was eating."
And now, a quote from La Rochefoucauld: "to eat is a necessity, but to eat intelligently is an art."
Thursday, May 27, 2010
Interview with John Taboada, Owner of Navarre
After Mark and I had breakfast this morning at Toast, I met up with John Taboada at his restaurant Navarre on NE 28th Ave. When I walked into Navarre the CLOSED sign was hanging and all of the chairs were stacked on the tables. A chef was in the kitchen chopping vegetables, and three other staff were floating about prepping for dinner. John walked in a few minutes later, a little flustered. When he came in it seemed everyone had a question for him. One woman asked him about entering the details of a featured beer onto the computer, another asked him how to prepare some item of food she’d never dealt with. He seemed very popular. Finally John answered all of them and we were able sit down at a table outside on busy 28th ave together for a few minutes to talk.
John is a very, very cool guy who I have tons of respect for. I’ve attached the audio file (its about twenty minutes), you should listen in to the interview, John has some very interesting things to say. He’s so unpretentious (to the point of irreverence, which I love) and down to earth it was amazing. I sound SO annoying throughout the whole thing and say “yeah” or “right” every other second, but if you can look beyond that you should download the audio file.
John is a very, very cool guy who I have tons of respect for. I’ve attached the audio file (its about twenty minutes), you should listen in to the interview, John has some very interesting things to say. He’s so unpretentious (to the point of irreverence, which I love) and down to earth it was amazing. I sound SO annoying throughout the whole thing and say “yeah” or “right” every other second, but if you can look beyond that you should download the audio file.
Reading List
Two books to add to the food-related reading list. Shout out to my homegirl Nance L for her recommendation of MFK Fisher.
The draw of this book, for me, is its synthesis of literature and food. It's essentially an anthology or compilation of meditations (both sincere and satirical) on food from a range of literary sources--from Winnie the Pooh to D.H. Laurence to John Keats to Virginia Woolf.
Mary Frances Kennedy Fisher was a prolific and seminal writer beginning in the 1930's all the way through the 90's until her death in 1992. She dealt mostly with food in her writing. What I like about her is her charming style and her approach to food from so many different angles--especially through a cultural and historical lens.


Wednesday, May 26, 2010
Tuesday, May 25, 2010
Monday, May 24, 2010
The Vigil
Until the film is produced, here are a few photos.
A major inspiration of the undertaking was this This American Life episode, where Ira Glass and his team decide to spend a full 24-hours in a 24-hour diner in Chicago, The Golden Apple, interviewing every single patron in the joint. Unfortunately, due to lack of courage and resources, Eddie and I could only aspire to do it as big-scale as they did.
Regardless, the episode is really great, so if you have a second, it's worth your time. Some incredibly rich stories and characters. LISTEN HERE.
(Thanks to Nancy D. for recommending I listen to it!)
Friday, May 21, 2010
Sanborn's
“See, I'm just not on the same page here” a woman with short hair and a floral jacket objects. “During the Seattle set, I was feelin' this magical energy way up here,” she motions with her hands, setting a bar above her head, “but then all the sudden, you started making a speech, and we just...lost it,” dropping her hand dramatically to the table, rattling silverware and cups.
Thursday, May 20, 2010
Fat Albert's
When I ask why the name Fat Albert’s, our waitress chuckles, shrugs her shoulders, and squints one eye in an effort to recall.
“Hm, I don’t remember where that came from. It’s fun though, isn’t it?”
“Yeah, it’s great…” my dad and I agree. It sounded like she’d been around from the start.
The space is long and narrow, cement floors and ceilings revealing the overhead piping render the atmosphere airy, light, and open. Our waitress ushers us to a wooden table painted bright turquoise. Under the specials board by the door a toddler with curly cherub locks wheels a yellow truck from a toy basket around on the floor. A young family, a few couples, and individual “regulars” fill the joint. In fact, regulars abound during the time I’m there. One man gets up periodically and refills his own coffee cup, another pays at the counter, chatting with the waitress while shoving the last crusts of wheat toast into his mouth.
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